Painting Edmonton

Last weekend I was in Edmonton to visit a friend and I took the opportunity to do a couple of days of painting.  It was a fabulous experience because once again I got ‘into the zone’ and I was painting with enthusiasm and purpose.

I always look at these experiences as opportunities to gather reference material and to try out various ideas.  The last think I worry about is whether the painting is successful.  Whether it is or not doesn’t have to affect what I learn from the experience.

In that spirit I thought I would show the 5 paintings I did and do a bit of a critique of each one.  Some people might find it helpful.

Rex Beanland, Jasper Ave, watercolour, 11 x 14

Jasper Ave










I really like this one especially because of the drawing.  Love the cars and the guy in the front.  The issue with this painting is that I wanted it to be warm and it’s in that frustrating place of being about 50% warm and 50% cool.  I plan to do this again and I’ll make sure it’s predominately warm.


Rex Beanland, View From The Hotel, watercolour, 11 x 14

View From The Hotel











Great sky with the smoke.  The foreground needs more purpose.


Rex Beanland, Sunny Day In Ponoka 2, watercolour, 11 x 14

Sunny Day In Ponoka 2










Nice but the dark wash on the right is a little muddy which is to be expected since I went over it 3 times.  Rule #1 Try to get the right colour and value first time


Rex Beanland, Elbow River, watercolour, 11 x 14

Elbow River











The only painting that didn’t work out.  Two problems: 1) the tree is poorly drawn and 2) again is it warm or cool?  I wanted cool with just some of the warms showing through.  The biggest issue is that for some reason I did the background trees warm and that was a error that I couldn’t recover from.  They should have been cool.

Rex Beanland, Sunny Day In Ponoka, watercolour, 11 x 14

Sunny Day In Ponoka











I love this one.  Everything worked out.  It’s definitely a cool painting but the small hits of warm colour really spice it up.  This is a keeper.  By the way, it’s the first time I’ve ever been to  Ponoka.

Just to sum it up I love these short intense little painting trips.  There’s nothing like having such a singular focus to inspire us and our painting.

I believe something is happening in my painting journey because the last painting trip I took was also extremely successful.  For me as for many representational artists we need to get back to the real source (nature not photos) frequently to continue to improve.

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