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Author Archives: Rex Beanland
I just spent a fabulous weekend teaching a workshop for the Calgary Chapter of the Federation Of Canadian Artists. I’ve always appreciated the many members of the FCA who are striving to grow as an artist. It made the workshop a joy to teach.
We did a couple of neat watercolour practice paintings. They both explored value and ‘the wash’ . This is a collection of the works produced.
The second practice is mostly about creating a really dark value and lots of it. The one huge benefit of this exercise is that it catapults you right out of your the comfort zone in terms of creating bold values
One of my demos was how to create a crowd scene. I liked the painting when I did it and when I got home I worked on it a little and I like even more.
The demo I did was based on this photo which I’ve had for over a year and it had never caught my attention.
For some reason when I was planning for this workshop I looked at it again and saw something very different. It’s a view from downtown Calgary.
This is the painting I did as the main demo. This was the second workshop in a row in which I’ve done a painting that I’ve never done before so it made the process of doing it more exciting. I got about 70% of it done in the workshop and finished it off in the studio.
I was so pleased to have had the opportunity to show my urban landscape paintings in Edmonton. It really was the culmination and summation of the past couple of years. This short video clip gives a little glimpse of the show.
I am very excited by this new opportunity that has presented itself to me. That is the opportunity to share my video lessons to a wider audience on line. I have my own video production company and we have produced a number of art instruction DVD’s for other artists. I have also used it to produce my own video lessons for my classes. Now I have the opportunity to combine and expand my interests by, in a sense, teaching through the video lessons. My intention is that the videos be a little more of a stand alone instructional tool with higher production values. At present my videos have been taken by ArtClick.tv and I am most grateful to them for this.
The first video I have produced in this new endeavour is a cityscape from my recent time spent in Edmonton.
Here is a preview of the video lesson.
There is a very enthusiastic group of plein air painters that meet at least once a week to paint on location. I have painted with them on occasion and it’s always a most enjoyable experience. Last Friday, Oct 3, a call went out that CTV wanted to do a human interest piece on this group and more bodies would be welcome.
Susan, my wife, and I went along. I’ve passed the boat launch many times but never been in so I was very surprised to end up in this beautiful little gorge with large rock cliffs on 3 sides and a bit of a rocky beach on the other side. The Elbow River cuts right through it. It was a little cool but after a while the sun came out and it was transformed into a beautiful warm spot. The feeling of being enclosed by the cliffs lent it an unusual air.
I have painted on location many, many times in the past couple of years and I always enjoy it a great deal but this time, for some reason was special. I looked for a long time at the various possible subjects until one just jumped out at me. The colour was mostly a dark grey with accents of orange in the rock so I knew that I would mostly be using Ultramarine and Burnt Sienna. There was a bit of early snow.
Feeling very comfortable that I had a plan of attack firmly in mind I
began painting with total abandon. The only analogy I can use is that my brush ‘danced’ on the paper. I felt completely free and in the moment. It was like I was just the vehicle that enabled this painting to come into being. The paint was flying and as you can see it was dripping all over the place. The painting is very accurate to the actual scene but I think it has a tremendous energy. But for me it’s really the fact that it’s a record of a wonderful, almost spiritual moment.
Winter Sun, Calgary was accepted into XI International Watercolor Biennial in Mexico at the Alfredo Guati Rojo National Watercolor Museum.
Construction Season, Calgary is based on a scene at the end of our street when city crews were installing a new water line. The man leaning into it is cutting a huge concrete structure and the dust and smoke completely obliterated the trees and house. I did a small plein air study then did this in the studio. I used white gouache extensively for all the dust. I wasn’t sure what to make of this painting for quite a while because of it’s unusual subject matter. Over the year that it hung on my wall I came to like it more and more and finally submitted it to the Federation Gallery in Vancouver for the Scenes of Western Canada show. I felt the subject matter particularly appropriate for that show. It felt very satisfying to have them accept it. I think there is a immediacy to it that I like and of course I love the heavy machinery.
I gave 2 workshops in Edmonton last weekend. They were sponsored by The Paint Spot a great art store, gallery and studio just off Whyte Ave. I have to thank Kim and her staff for making me feel so welcome. They are big supporters of Canadian and Albertan artists.
There were 2 classes both very enthusiastic about learning more about watercolour. It’s always a wonderful experience to be in a room like that.
The first day I did a demo of one of my favourite scenes from Calgary, the Stephan Ave Mall. It’s a good example of the monumental style street scene and has great shapes and composition.
This painting is all about value, the colour is completely secondary. But if you have a good composition and a good value then the painting will be successful. As a friend of mine said: Colour gets the glory but value does the work.
On the second day I did something I’ve never done before which is do a demo that I hadn’t practiced. This time I went in cold and that made it a very interesting experience. There was extra focus when I began the painting. But it did allow me to demonstrate the process I go through before I start a new painting. I always do a thumbnail value study in pencil. I find this practice very important. Since I’ve been doing this I notice the quality and especially the consistency of my paintings improved dramatically.
This is the demo I did on the second day. It’s a view down Jasper Ave. My main thought process was to see and paint the buildings on the left side as a single shape. I think it’s very successful. I really like the sense of light. I plan to do this painting again as a demonstration for my new distributor ArtClick.tv. Next time I do it I would like to improve the sky and also change the composition a little to bring the building on the right a little closer to the edge. Bringing that building right out of the frame at the bottom was the biggest change I made after the workshop when I got back in my studio.
Anyway it was great to meet everyone and it was a lot of fun. I look forward to returning.
It was a great weekend, Aug 9 – 10 at our Art In The Garden Show & Sale. For the 6th year in a row we were blessed with beautiful weather. For me the fun of art shows is always the networking, meeting other artists and new people who are attracted to my art.
This video shows the process for completing this painting.
I’m very excited by this solo show I’m having at the Naess Gallery in Edmonton. I’ll be there for the opening and also for my workshop the weekend of Sept 20-21. If you get a chance I hope you’ll be able to take in the show.
I’m also looking forward to my workshop at The Paint Spot on Sat – Sun, Sept 20 – 21. The first and probably most important aspect of this workshop is that painting successful urban landscapes in watercolour is first and foremost about using good watercolour techniques. We’re just applying them to buildings people and cars. So we will be looking at what makes watercolour so luminous and exciting namely good washes. Secondly we will be looking at simple techniques to easily create cars and people. It’s going to be a lot of fun and very informative whether you are new to urban landscapes or if you’ve already tried it.
If you are interested contact The Paint Spot.
Toll Free 1-800-363-0546
Every August for the past 6 years I and some friends have put on our own art show called Art In The Garden. It’s held in the beautiful garden of Rosemary Bennett.
By some act of a higher power we have had beautiful sunny weather each year and we hope for the same this year. There are refreshments, comfortable places to sit and enjoy yourself and I’ll be doing a demo on the Saturday. There will be paintings, Rose’s glass works, unframed originals and art cards.
I hope that you can make it out. It’s always a fun day.
I have a show coming up in Edmonton at the Naess Gallery from the end of August to the end of September 2014. This show will feature cityscapes. In order to get Edmonton subjects I have been painting in Edmonton twice in the past month. I was there last week for 4 days and it was a fabulous time.
The first reason that it was so positive is that it was the first time I have ever painted on a busy sidewalk, smack in the middle of downtown in any city. I was a little apprehensive but it turned out to be a great experience. Many people stopped and everyone was extremely positive.
The second reason I enjoyed was the actual paintings I did. I’m very happy with the results. I have long been a proponent of plein air (on location) painting but I continually discover new joys in doing it. In fact I recently came across a quote that sums it up nicely for me: “Plein air painting gives us the improvisational spirit, something that an artist may not get in a comfortable studio. By planting your feet on the ground, you feel the power of “earth energy” and a new-found honesty. Plein air strokes take on pioneer wisdom. While challenging, even daunting, the new complexity tests your ability to think things out.”
These are the 3 paintings I did on location.
This painting of the Hotel MacDonald was started at 5:45 in the morning. The sun was just rising and that orange glow caught part of the building. 10 minutes later the light completely changed so I kept this particular view in my mind. I enjoyed the challenge of integrating the darker shape of the trees. I was lucky to find this little unused door way where I could keep out of the way of the pedestrian traffic.
In the afternoon I moved down Jasper Ave and was quite inspired by this scene.
The next day I moved to Whyte Ave and found the shape of the historic Dominion Hotel building very attractive. The sidewalk was very crowded since this was the first day of ‘Art Walk’.