Author Archives: Rex Beanland

A Plein Air Journey

I have always enjoyed  plein air (on location) painting even when I was not very good at it. I can remember time after time when I would enjoy the experience of being outside but be too embarrassed by the quality of my work even to show it to people.  Gradually I started doing it more and more frequently and as my painting skills in general progressed my plein air experiences also progressed.  A big step was when I started to take time before I started painting to just sit, look at the subject and do some planning.  My pre-planning came to be about 3 things.  Composition, value and why did I want to paint this particular subject, what spoke to me.

Like so many things in life it wasn’t just the effort I put into plein air painting that made things go better.  It was more about the fact that as I worked more and in a more focused way on my painting in general I was able to bring more to the plein air experience.

I have gone out the past 2 Sundays and I’ve been very happy with the results.  I’m starting to ‘get it’.  I find now that my pre-planning goes so much more efficiently and effectively.  I find a subject that speaks to me and then I am able to come up with an effective composition that best suits the subject.  Finally I continue to look at the subject until I can  visualize a value pattern that will help tell the story that I want to tell.

This first of these 2 recent paintings was a view from 37th St looking over the Weaselhead.  It was a snowy day with lots of snow in the air so there was a sharp drop off as objects receded into the background.  I wanted the sense of mystery that that type of light creates.  I also wanted an image that I could use for a birthday card for my wife.  What was particularly liberating for me was to use purer colours to represent the darks.  Normally I would use a dark value of a gray.  I find the darker blue stroke in the foreground works as a dark value but is also much more colourful than I have become used to.  Also the stronger values that the main 3 trees needed is handled more colourfully.

Rex Beanland, 2 to 1, watercolour, 5.5 x 8

2 to 1
watercolour, 5.5 x 8

 

 

 

 

 

This second painting looking over the eastern edge of Discovery Ridge is also more colourful than my norm.  In this one because I had a pretty good idea what I was going for value-wise I was much freer in my brushwork.

Rex Beanland, Discovery Ridge, watercolour, 8 x 16

Discovery Ridge
watercolour, 8 x 16

 

 

 

 

 

 

 

 

 

These final 2 paintings are recent plein air studies that also were very much the result of being ‘in the zone’.  In each case by studying the subject and not painting until something spoke to me and I had a clear idea of where I wanted to go.  As a result I was able to paint very quickly and the finished painting has some of that spirit in it.

Rex Beanland, 37th & Richmond Road, watercolour, 5.5 x 8

37th & Richmond Road
watercolour, 5.5 x 8

Rex Beanland, Elbow Falls Boat Launch, watercolour, 20 x 29

Elbow Falls Boat Launch
watercolour, 20 x 29

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

So to summarize where my plein air journey is at the moment I’m finding that the best way for me to work is to simply look at the subject until I discover what is it about this subject that really speaks to me.  Then I keep looking until I can visualize how to arrange the elements to create an effective composition and finally I visualize how I want to arrange the value patterns to create the effect I want.  Then when I start painting I feel a tremendous sense of freedom to just play with the paint because I have a good understanding of what I want to do in each section of the painting.  The final gift I’m discovering recently is that when I want mid and darker values I don’t need to always fall back to a dark gray but I can use purer colours that intrinsically are the desired value.

The bottom line is, however, that it just continues to be more and more fun to paint on location. In fact for my style I notice a certain staleness starts to creep in when I work too much in the studio from photographs.  I need the inspiration of being in front of the live subject to really let go.

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Painting Demonstration At Churchill Manor, Edmonton

While I was in Edmonton getting ready for my show and workshop at the Paint Spot.  I visited my niece who is the activities co-ordinator at Churchill Manor,  a high end retirement facility.  She asked me to do a demo for the residents and being a natural ham I accepted.  It was absolutely impromptu.  I just love ‘performing’ in front of a group like this that is just looking for some pleasant diversion in their day though some had actually done some art in their time.  Since it was so low key I decided I would get them involved by demonstrating a simple way to do a figure and then cajoling people into coming up and giving it a try.  It turned out to be completely fun activity.  There was much chatter and laughter and I think everyone had a good time.  By the end of the demo the number of residents watching was equal to what they often get for a performing entertainer so I felt good about that.  Here are some shots from the event.

Rex Beanland, Rex presenting demo at Churchill Manor

Rex Introducing the demo

 

 

 

 

Rex Beanland, Rex painting for residents at Churchill Manor

Rex painting for residents

 

 

 

 

 

 

 

Rex Beanland, One of the residents tries her hand at painting

One of the residents tries her hand at painting

 

 

 

 

 

 

 

Rex Beanland, Churchill Manor demo, watercolour, 8 x 10

Churchill Manor 10 minute demo

 

 

 

 

 

 

 

 

I think that probably the most important take away from this event, even more important than the feeling of a job well done is the sense of using my abilities to help other people.  This facility is  very nice, comfortable and well equipped but I feel that most people at this time of life are looking to be acknowledged and this was a very positive opportunity to have some fun and celebrate the people who participated.

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‘Let It Flow’ Workshop

I just spent a fabulous weekend teaching a workshop for the Calgary Chapter of the Federation Of Canadian Artists.  I’ve always appreciated the many members of the FCA who are striving to grow as an artist.  It made the workshop a joy to teach.

 

We did a couple of neat  watercolour practice paintings.  They both explored value and ‘the wash’ . This is a collection of the works produced. Rex Beanland, Student Examples Chinese Watercolour

 

 

 

 

 

 

 

 

 

 

 

The second practice is mostly about creating a really dark value and lots of it.  The one huge benefit of this exercise is that it catapults you right out of  your the comfort zone in terms of creating bold  values

Rex Beanland, Student Examples Dark Buildings.

 

 

 

 

 

 

 

 

 

 

One of my demos was how to create a crowd scene.  I  liked the painting when I did it  and when I got home I worked on it a little  and I like even more.

Rex Beanland, Three & A Crowd, watercolour, 5 x 8

Three & A Crowd

 

 

 

 

 

 

 

 

 

 

 

The demo I did was based on this photo which  I’ve had for over a year and it had never caught my attention.
For some reason when I was planning for this workshop I looked at it again and saw something very different.  It’s a view from downtown Calgary.

 

 

Rex Beanland, Checkin' It Out, watercolour, 15 x 20

 

 

 

 

 

 

 

 

 

This is the painting I did as  the main demo.  This was the second workshop in a row in which I’ve done a painting that I’ve never done before so it made the process of doing it more exciting.  I got about 70% of it done in the workshop and finished it off in the studio.

Rex Beanland, Checkin' It Out, watercolour ,

Checkin’ It Out

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My Solo Show In Edmonton

I was so pleased to have had the opportunity to show my urban landscape paintings in Edmonton.  It really was the culmination and summation of the past couple of years.  This short video clip gives a little glimpse of the show.

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Video Lessons On Line

I am very excited by this new opportunity that has presented itself to me.  That is the opportunity  to share my video lessons to a wider audience on line.  I have my own video production company and we have produced a number of art instruction DVD’s for other artists.  I have also used it to produce my own video lessons for my classes.  Now I have the opportunity to combine and expand my interests by, in a sense, teaching through the video lessons.  My intention is that the videos be a little more of a stand alone instructional tool with higher production values.  At present my videos have been taken by ArtClick.tv and I am most grateful to them for this.

The first video I have produced in this new endeavour is a cityscape from my recent time spent in Edmonton.

Here is a preview of the video lesson.

 

 

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Plein Air Painting At The Elbow Falls Boat Launch

There is a very enthusiastic group of plein air painters that meet at least once a week to paint on location.  I have painted with them on occasion and it’s always a most enjoyable experience.  Last Friday, Oct 3,  a call went out that CTV wanted to do a human interest piece on this group and more bodies would be welcome.

Rex Beanland, Painters At The Elbow Falls Boat Launch

Painters At The Elbow Falls Boat Launch

Susan, my wife, and I went along.  I’ve passed the boat launch many times but never been in so I was very surprised to end up in this beautiful little gorge with large rock cliffs on 3 sides and a bit of a rocky beach on the other side.  The Elbow River cuts right  through it.  It was a little cool but after a while the sun came out and it was transformed into a beautiful warm spot.  The feeling of being enclosed by the cliffs lent it an unusual air.

I have painted on location many, many times in the past couple of years and I always enjoy it a great deal but this time, for some reason was special.  I looked for a long time at the various possible subjects until one just jumped out at me.  The colour was mostly a dark grey with accents of orange in the rock so I knew that I would mostly be using Ultramarine and Burnt Sienna.  There was a bit of early snow.

 

Feeling very comfortable that I had a plan of attack firmly in mind I

Rex Beanland, Rex painting at the Elbow River Boat Launch

Rex painting at the Elbow River Boat Launch

Rex Beanland, Susan painting at the Elbow River Boat Launch

Susan painting at the Elbow River Boat Launch

began painting with total abandon.  The only analogy I can use is that my brush ‘danced’ on the paper.  I felt completely free and in the moment.  It was like I was just the vehicle that enabled this painting to come into being.  The paint was flying and as you can see it was dripping all over the place.  The painting is very accurate to the actual scene but I think it has a tremendous energy.  But for me it’s really the fact that it’s a record of a wonderful, almost spiritual moment.

 

 

 

 

 

 

 

Rex Beanland, Rex, the painting, and the Elbow River

Rex, the painting, and the Elbow River

Rex Beanland, Elbow Falls Boat Launch, watercolour, 18 x 24

Elbow Falls Boat Launch
watercolour
18 x 24

 

 

 

 

 

 

 

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2 New Works Gallery Bound

Winter Sun, Calgary watercolour 29 x 21

Winter Sun, Calgary
watercolour
29 x 21

Winter Sun, Calgary  was accepted into XI International Watercolor Biennial in Mexico at the Alfredo Guati Rojo National Watercolor Museum.

 

 

 

 

Rex Beanland, Construction Season, Calgary, watercolour & white gouache, 18 x 24

Construction Season, Calgary
watercolour & white gouache
18 x 24

 

Construction Season, Calgary is based on a scene at the end of our street when city crews were installing a new water line.  The man leaning into it is cutting a huge concrete structure and the dust and smoke completely obliterated the trees and house.  I did a small plein air study then did this in the studio.  I used white gouache extensively for all the dust.  I wasn’t sure what to make of this painting for quite a while because of it’s unusual subject matter.  Over the year that it hung on my wall I came to like it more and more and finally submitted it to the Federation Gallery in Vancouver for the Scenes of Western Canada show.  I felt the subject matter particularly appropriate for that show.  It felt very satisfying to have them accept it.  I think there is a immediacy to it that I like and of course I love the heavy machinery.

 

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2 New Workshops in Edmonton

I gave 2 workshops in Edmonton last weekend.  They were sponsored by The Paint Spot a great art store, gallery and studio just off Whyte Ave.  I have to thank Kim and her staff for making me feel so welcome.  They are big supporters of Canadian and Albertan artists.

There were 2 classes both very enthusiastic about learning more about watercolour.  It’s always a wonderful experience to be in a room like that.

The first day I did a demo of one of my favourite scenes from Calgary, the Stephan Ave Mall.  It’s a good example of the monumental style street scene and has great shapes and composition.

Rex Beanland, Christmas on Stephan Ave, watercolour, 13 x 18

Christmas on Stephan Ave

 

This painting is all about value, the colour is completely secondary.  But if you have a good composition and a good value then the painting  will be successful.  As a friend of mine said: Colour gets the glory but value does the work.

 

 

 

 

 

On the second day I did something I’ve never done before which is do a demo that I hadn’t  practiced.  This time I went in cold and  that made it a very interesting experience.  There was extra focus when I began the painting.  But it did allow me to demonstrate the process I go through before I start a new painting.  I always do a thumbnail value study in pencil.  I find this practice very important.  Since I’ve been doing this I notice the quality and especially the consistency of my paintings  improved dramatically.

Rex Beanland, Sunlight On Jasper Ave, watercolour, 13 x 18

Sunlight On Jasper Ave

 

This is the demo I did on the second day.  It’s a view down Jasper Ave.  My main thought process was to see and paint the buildings on the left side as a single shape.  I think it’s very successful.  I really like the sense of light.  I plan to do this painting again as a demonstration for my new distributor ArtClick.tv.  Next time I do it I would like to improve the sky and also change the composition a little to bring the building on the right a little closer to the edge.  Bringing that building right out of the frame at the bottom was the biggest change I made after the workshop when I got back  in my studio.

Anyway it was great to meet everyone and it was a lot of fun. I look forward to returning.

 

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Art In The Garden

It was a great weekend, Aug 9 – 10 at our Art In The Garden Show & Sale.  For the 6th year in a row we were blessed with beautiful weather.  For me the fun of art shows is always the networking, meeting other artists and new people who are attracted to my art.

This video shows the process for completing this painting.

Art In The Garden Demo

 

 

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Drawing On The City: A Solo Show & Workshop In Edmonton

I’m very excited by this solo show I’m having at the Naess Gallery in Edmonton.  I’ll be there for the opening and also for my workshop the weekend of Sept 20-21.  If you get a chance I hope you’ll be able to take in the show.

Drawing On The City Invite

 

 

I’m also looking forward to my workshop at The Paint Spot on Sat – Sun, Sept 20 – 21.  The first and probably most important aspect of this workshop is that  painting successful urban landscapes in watercolour is first and foremost about using good watercolour techniques.  We’re just applying them to buildings people and cars.  So we will be looking at what makes watercolour so luminous and exciting namely good washes.  Secondly we will be looking at simple techniques to easily create cars and people.  It’s going to be a lot of fun and very informative whether you are new to urban landscapes or if you’ve already tried it.

If you are interested contact The Paint Spot.

Phone 780-432-0240
Toll Free 1-800-363-0546

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