Tag Archives: urban landscape

Demo For The Calgary Community Painters Society

Rex Beanland, Winter Sun, Inglewood, watercolour, 20 x 16

Winter Sun, Inglewood
20 x 16

On Wednesday, Jan 22, I did a demonstration for the Calgary Community Painters Society.  This is the first time I had met this group and they were delightful, very enthusiastic and interested.  The type of audience that you enjoy painting for.

 

This picture is a view from Inglewood, looking at the Bow Building.  I think that the Bow Building like the Calgary Tower are icons of Calgary and this view from Inglewood shows the Bow to good advantage.

 

The process I used for this painting is what I call the 3 wash method.  The first wash is basically the sky colours spread over the entire painting except for a few highlights in the centre of interest.  Wash #2 involves all the mid tones (nearly the entire painting)  Wash #3 is the final details, highlights and little bits and pieces.

I like to do paintings like this quickly, just capturing my impression of the scene so I try for large, clean washes.  In order to keep the washes fresh I choose not to cut around too many shapes and instead add Chinese White or white gouache at the end to create highlights.  I always include figures which I feel help to create a story.  One member asked why they would be wandering all over the street in the middle of the traffic.  The answer is that they wouldn’t be there (at least not for long).  However, as well as adding that story element they also add a certain tension to the painting with helps make it entertaining.

It was a very enjoyable evening.  I finished the painting up at home and I  estimate it took about 2-1/2 hours in total.

Back To School

Rex Beanland, Back To School  watercolour, 7 x 12

Back To School
watercolour, 7 x 12

 

 

 

 

 

 

 

 

 

Rex Beanland, Back To School 2 watercolour, 11 x 20

Back To School 2
watercolour, 11 x 20

 

 

 

 

 

 

 

 

 

 

 

 

 

I find the colours and shapes of the school buses very attractive.  When I saw them against the autumn colours of the trees I thought this is something to paint.  Both studies were done on location.

The interesting challenge was how to capture the sense of the bright yellow trees without actually painting millions of yellow leaves.  The beauty of plein air painting is that you need to figure out how to handle these challenges and you need to do it quickly.

It reminds me of a saying I made up when I was teaching grade 4’s.  “What do you do when you don’t know what to do – do something.”  In this case I think it worked out.

Clothesline Sale Demo

 

Rex Beanland, Barley Mill watercolour, 15 x 20

Barley Mill
watercolour, 15 x 20

 

Rex Beanland, Clothesline Sale Demo

Clothesline Sale Demo

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rex Beanland, Clothesline Sale

Artists painting on the hill.

 

 

 

 

 

 

Rex Beanland, Painting In The Foothills

Painting In The Foothills

 

 

 

 

 

 

 

 

 

 

 

 

I did a demonstration at the Leighton Centre on Saturday June 1 for their annual Clothesline Sale.  It is always a very  enjoyable event.  Lots of people, lots going on, and  a chance to catch up with friends and fellow artists.  After the rain yesterday, today was beautiful.  Sunny all day. Unfortunately, as you can see I forgot to take a hat and I don’t do well in the full sun so I’m paying for it tonight.  But it was a great day.  I enjoyed the day  and I’m very pleased with the painting.  It’s of the Barley Mill at Eau Claire.

As I heard someone say recently, the real subject of a painting like this is not the objects, the people etc but it’s the light and this painting I think has a very strong sense of that wonderful yellow light.

I also enjoyed  having nearly all the figures work as lights against a darker background.  Lately I had fallen into a bit of a trap of always trying to make the figures very dark.  However when you have a dark figure against a dark background there is no contrast and it’s boring or muddy.  So I like the fact that the figures are all lighter than the background.  The lightness of the figures in this painting was achieved by mixing in a little white gouache with cobalt or ultramarine blue.

The Day The Twins Came To Visit

 

Rex Beanland, The Day The Twins Came To Visit, watercolour, 14 x 7

The Day The Twins Came To Visit
watercolour, 14 x 7

 

Rex Beanland, Behind Lougheed House

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I’ve always been a big proponent of the benefits of playing with paint.  It’s often surprising how much you can learn from it.  This painting is an example.

I’ve always found this building very interesting.  It is right beside the Lougheed House.  The other day I wanted to do a little painting but wasn’t interested in doing a detailed drawing and all the other ‘stuff’ that goes into a formal painting.  I had a long and narrow piece of paper at hand and just for fun I thought I would try to paint this house.  Because I had to fit the house into this unusual format I couldn’t worry about being accurate and I painted that way.  With very little pre-thought  I just began throwing paint around.  It was half an hour of pure fun.  When doing something like this there is absolutely no pressure.  It’s all about just playing.  I was just reacting to what the paint was doing on the paper.  Also because I didn’t really care if it worked out or not as soon as I got an idea I just did it.  For example the house, because it was a very light value and there weren’t a lot of shadows didn’t really stand out as much as I wanted so I thought ‘let’s see what it looks like if I exaggerate the darks on both sides’.  From the photo you can see that there was actually a very dark house beside it which helped.

That feeling of being in the moment and not worrying at all whether it would be successful freed me up to just have fun.  From all this playing I realized how much I want to have the same feeling of fun in my ‘serious’ painting.

The title came from the 2 figures on the left.  I put my usual blob of orange for the faces but the background was wet so the paint spread out and it began to look like a couple of wild afro-type hair styles.  So those 2 blobs evolved into the twins.

 

I think the spontaneity of the process shows in the final painting.

On Location In Calgary

I have been doing many on-location studies of  scenes in Calgary over the winter and spring.  It has been a wonderful learning experience.  The main lessons I have learned from this process are:

  1. Before I begin painting I need to plan the entire painting process including getting the composition, the colour family, value pattern and what story do I want to tell.
  2. Using a viewfinder really helps to simplify the composition.  So much needs to be left out.  Simplify, simplify, simplify.
  3. Choose an overall colour scheme before I start don’t try to recreate the actual colours.
  4. Decide on the value pattern that helps tell the story.
  5. Decide on what story I want to tell.
  6. Even though this takes a bit of time, the painting always goes more quickly and effectively if I do all of this.

This process is all very new for me.  I normally  just do a quick sketch and then start throwing paint.

The interesting thing about all these paintings is that the actual scene in each case (with the possible exception of the Dog Park and Tivoli) is not particularly attractive and each one except the dog walk was done on an overcast day.   Also the figures were all from my imagination.