Category Archives: Art Blog

Challenging Yourself In Art

A few years ago I made the decision to focus more on national and international exhibitions.  I did this because I wanted to challenge myself to improve as an artist and I wanted to see how I would fare in the wider world.

The positive side of this is the pleasure and motivation that comes from acceptance in these type of shows.  The down side is ‘get ready for rejection’ which as I think about it can also be positive as we strive to do better.

Anyway, with all this in mind I submitted to the Thompson, Nicola, Shushwap Chapter of the Federation Of Canadian Artists National Open Show.

I was thrilled that my painting, Jasper Ave, received the 3rd place award by the jurors.

 

 Rex Beanland, Jasper Ave, watercolour, 11 x 14
Jasper Ave

Also my painting, All Quiet In Gibson’s Harbour, won 1st place in the People’s Choice Award.

Rex Beanland, All Quiet In Gibsons Harbour, watercolour, 24 x 18
All Quiet In Gibson’s Harbour

I actually drove to Kamloops to pick up my paintings and had the pleasure of meeting the Chapter President, Mairi Budreau, and to personally receive my award.

 

On an unrelated front I was just in Toronto for the AGM of the Canadian Society Of Painters In Water Colour and I was very surprised to receive the President’s Award by outgoing President, Rayne Tunley.  It was for outstanding contributions and leadership.  I felt quite humble.

Rex Beanland, Presidents Award

I feel so grateful for being on this journey as a full time artist and for all the wonderful people I have had the pleasure of meeting.

The Power Of Play

Lately when I meet fellow artists and they ask ‘what have you been up to’ I’ve started saying that the past few months have been an period of dedicated play. I’ve put my more ‘serious’ work aside and I’ve just tried new things. Very little of the prep work I usually do. No thumbnails, colour studies, no value studies just jump right in – mostly with photos but also some plein air work. I’ve called it by a few names such as plein air in the studio etc but what it really is is just play.

I’m posting some of the results. Some of these paintings are successful as paintings some are not but I learned from each of them. I don’t know about the wisdom of posting paintings that may not be successful. However as learning experiences they were all very successful so I’m going to do it anyway.


This one was a lot of fun. It’s exactly the look I was going for – very loose. I have always been attracted to the lines of the steps.

Rex Beanland, Olympic Plaza, watercolour, 9 x 12
Olympic Plaza

This one was an attempt to capture a mass of foliage.

Rex Beanland, Shady Path Toronto, watercolour 8 x 10
Shady Path Toronto

In preparation for my workshop in Lethbridge I wanted to try to make something of this downtown building. This is just a literal interpretation.

Rex Beanland, Lethbridge, watercolour, 9 x 12
Lethbridge

With this one I wanted to make it a more personal statement.

Lethbridge Fantasy

This one was to put it all together. Watercolour is so good a recording a rainy day that I used that theme.

Rex Beanland, Rainy Day In Lethbridge, watercolour, 9 x 12
Rainy Day In Lethbridge

This is a return to probably my favourite location, Kensington Market in Toronto. I love the ramshackle nature of the place. Very human, very interesting. This one I am very happy with and intend to do a larger studio version.

Rex Beanland, Kensington Market , watercolour, 9 x 12
Kensington Market

I’m intrigued by this wall and really wanted to work it into a painting so I literally copied the photo. Nice idea but not successful. Major confusion around ‘what’s the painting about’. Is it the girl catching the sun or the colourful poster. Trying to make both important doesn’t work.

Rex Beanland, Girl In Kensington Market, watercolour 9 x 13
Girl In Kensington Market

A very well known artist I know said that the human eye can’t really imagine what something will look like without actually seeing it. So by doing this I could see that as much as I love the girl and the wall I have to make a choice. Can’t have the two stars competing.

So let’s focus on the girl. I like that and I like the wall now but the structure on the left is probably too busy. Again it takes away from the star of the show – the girl.

Rex Beanland, Girl Kensington Market, watercolour, 9 x 5
Girl Kensington Market

Just a few steps away from the previous painting I caught this girl on the phone. Her rich, reddish brown skin was captivating. The dark really brings her out. It’s getting hard to take photos of people without the ubiquitous cell phone.

Rex Beanland, Girl On Phone Kensington Market, watercolour, 9 x 5
Girl On Phone Kensington Market

So what is the power of play.

For me it’s exciting, quick and very focused. But above all it’s a wonderful way to explore new themes, new techniques and to learn and grow as an artist.


Miles On The Brush

One truism from the world of art is the saying that success is defined by ‘miles on the brush’ meaning how much have you painted. There is certainly a place for natural ability but that pales in comparison to the power of just doing it – a lot.

I find these paintings to illustrate what happens when we just keep on our journey.

These paintings are all based on Charing Cross in London, England. We visited there about 8 years ago.

This first painting was the first time I tackled the subject. It was painted in 2012. It was a real breakthrough for me at the time. In fact it was one of t he paintings I used to be juried into the Canadian Society Of Painters In Watercolour. All in all a big deal and it was the best I could do at that time.

Charing Cross (The Original)

Now 7 years later and a lot of miles on the brush I revisited the subject and this is what I came up with.

Rex Beanland, Charing Cross, watercolour, 9 x 12
Charing Cross

For me the fascinating insight here was that in the first painting your eyes go to the sun lit top of the building. In this second version your eyes go to the centre of interest the people and the cars. This is where the story is and therefore this second painting is much more successful. It’s the best I can do today. It’ll be interesting to see what it will look like in another 7 years.

So, if there is a lesson it’s – keep painting, keep learning – miles on the brush.

Rex Beanland, Charing Cross 2, watercolour, 8 x 6
Charing Cross 2

Just for fun here is another version done recently. A slightly different feel. It’s interesting for me to ask myself which one works best?

Taking Another Look

I had a very interesting experience yesterday. My practice is to take any painting that I’m not happy with and put it in a pile. Then I reuse the back of these paintings. I pulled out this one yesterday and was just about to cut it up when I took a second look at it.

Rex Beanland, A Moment Of Reflection, watercolour, 18 x 24

I did this painting 4 years ago and submitted it to a big show and it was not accepted so I considered it unsuccessful. I hadn’t looked at it in a long time but yesterday when I saw it I thought that the centre of interest was actually quite interesting. So I cropped it down to the essentials and it became a very different painting.

Rex Beanland, A Moment Of Reflection, watercolour, 11 x 20
A Moment Of Reflection

I now look at it as a very successful painting.

This experience has reinforced two things. 1) It’s important to ask yourself ‘what is the painting about’. In this case it’s about the story of the lady and her dogs and all the rest of the background and foreground didn’t really add much to it. Secondly, we need to be open minded when we look at our work. Maybe we’re missing what’s right in front of our eyes. Very valuable lessons!

Seeing Photos In A New Way

I’m fascinated by the changes that we, as artists, undergo as we keep on our artistic journey. We continually discover new things. Lately, I feel something new is happening with regard to using photos.

Like most people I started out years ago trying to copy photos. A successful painting was one that looked like the photo. Over time I learned that it’s OK to move things around, eliminate things, and add things if it makes it a better painting.

As the journey continues I have learned that there are more changes that I can make. New ways that can make the painting even more personal. It’s about seeing the photo as a means to express myself. What do I want to say with this subject? It’s about me painting what excites me and feeling free to manipulate everything to that end.

Putting The Principle Into Action

This photo is a case in point. I’ve always liked the pattern of darks and lights as well as the overall composition. I took this photo 3 years ago but recently I decided that I wanted to try to paint it.

Rex Beanland, The LRT (Light Rapid Transit, Calgary)
The LRT (Light Rapid Transit, Calgary)

This is my first value sketch that I did in preparation for doing a small painting. What jumped out at me when I looked at it was that it’s so totally literal. I tried to capture that complicated structure over the train with all the detail I see. I also got caught up in much of the background detail.

Rex Beanland, The LRT, First Go, watercolour, 7 x 6
The LRT, First Go

Then I asked myself what excited me about this painting. It was the contrast between the structure and the light of the train. This little study captured that so much more effectively.

Rex Beanland, LRT Lively, 5 x 4
LRT Lively

Putting these ideas together in a little more refined study I came up with this.

Rex Beanland, LRT, Calgary, watercolour, 10 x 15
LRT, Calgary

Another Example

Another related example is this photo I took of the ATB building on 8th Ave. This building has some fairly interesting architectural features such as a dome and even though I don’t find the composition interesting I thought there was some potential and I would give it a shot.

For me the struggle was to see this building not as the subject but as a backdrop to tell an interesting story.

Rex Beanland, ATB Study, watercolour, 8 x 9
ATB Study

This is a small 8″ x 9″ study does that for me. The building is a supporting player to the main story of the people.

As I mentioned at the top of this post I’m just noticing that this ability to take a photo and create something personal and meaningful is starting to happen more and more. I can’t help but notice that at the same time I’m becoming increasingly excited by painting. Go figure!

Landscape Workshop At The Leighton Centre

It was a real treat last weekend to teach a workshop at the Leighton Centre.  First of all the weather was beautiful, warm and sunny but with the clear smell of autumn from the fallen leaves and grasses.  Secondly it was a chance I don’t often have to teach landscape painting.  I really do enjoy landscape painting it’s just that my urban landscape work has eclipsed it over the past number of years.

Anyway, it was a great workshop and once again I am so impressed what beginners (as many of them were) are able to produce if when given the tools.

The Demos

The first demo is a really neat painting.  It uses a very direct painting approach.  Get the shape, colour and value and paint it in directly.

Again I’m posting it as it was at the end of the workshop and the finished version.  I’m very happy with this one.

Rex Beanland, Leighton Workshop 2018

Demo at end of workshop

 

 

 

 

 

 

 

 

A few finishing touches and some figures give it an interesting story.

Rex Beanland, Country View, watercolour, 15 x 20

Country View

 

 

 

 

 

 

 

 

 

 

This painting has some significant colour notes and here are some in-progress photos.

Rex Beanland, Leighton Workshop 2018

Barn in process 1

 

 

 

 

 

 

 

 

Rex Beanland, Leighton Workshop 2018

Barn in process 2

 

 

 

 

 

 

 

 

Rex Beanland, Leighton Workshop 2018

Barn in process

 

 

 

 

 

 

 

 

I just received this finished version of the barn from one of the participants.

Rex Beanland, Leighton Workshop 2018

Lucie’s Barn

 

The Second Demo

This demo is more  my normal process with an underpainting that covers the entire paper and then adding the mid and dark values.  It’s a process that actually makes the painting go surprisingly quickly.

Here are the 2 versions.

Rex Beanland, Leighton Workshop 2018

Demo at the end of the workshop

 

 

 

 

 

 

 

 

Again some darks and shadows and the addition of a very important element – the overhanging tree which adds another dimension.

Rex Beanland, Foothills & Buffalo, watercolour, 15 x 20

Foothills & Buffalo

 

 

 

 

 

 

 

 

 

 

I just received one of the participant’s finished version of the foothills.

Rex Beanland, Leighton Landscape Workshop, 2018

Janice’s Foothills

 

 

 

 

 

 

 

 

 

It was a lovely weekend with a great bunch of painters!  Thanks to everyone.

Rex Beanland, Leighton Workshop 2018

Class Photo

 

 

 

 

 

 

 

 

 

 

 

 

A Little Extra

I far prefer the foothills to the mountains so  I continue to explore different ways to paint them.  I took a photo on the way out to the workshop to illustrate a little of the patterns that occur in the foothills.  In the early morning light in late October everything had an orange/brown tint.  This is my first run at capturing that look.  I used the same technique as the demo done in the workshop.  I think this is a direction well worth pursuing.

Rex Beanland, Another View Of The Foothills, watercolour, 9 x 12

Another View Of The Foothills

Urban Landscape Workshop At Swinton’s

This past weekend I gave an urban landscape at Swinton’s Art Supplies in Calgary.  Doug Swinton always does a great job of promotion so the class was full.  It was a great workshop!  I really felt good about what we accomplished and the results that the participants achieved.

Once again I was made aware of how grateful I am for having been a public school teacher where I learned the art of teaching.  It’s all about what the people get out of the workshop and I always go in with a lesson plan that facilitates their learning.

A New Twist On How To Paint Figures

I have developed a new and really exciting exercise to extend the lesson on doing figures.  It’s how to create a crowd of people.  I’m inspired by the scenes of the piazza in Italy where you have fabulous architecture and crowds of people.  I’m working on doing a studio version of this subject.  

For now, here is the demo painting that I did.

Rex Beanland, Piazza & People, watercolour, 8 x 7

Piazza & People

 

 

 

 

 

 

 

 

 

 

 

 

 

Here is the class with their versions.

Rex Beanland, Swinton Workshop, 2018

Piazzas & People

 

 

 

 

 

 

 

 

 

I always ask students to send me copies if they finish their paintings.  Typically I don’t receive images but this time I did.

Here is Tamara’s painting.

Rex Beanland, Swinton Workshop, 2018

Tamara’s Piazza & people

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For the main demo I did Jasper Ave because it just offers so many wonderful teaching opportunities and it is such a bold, vibrant painting.

Main Demo – Jasper Ave

Unfortunately, I forgot to take a photo of my demo at the end of the workshop but here is the completed painting.

Rex Beanland, Jasper Ave (Swinton 2018), watercolour, 15 x 20

Jasper Ave

 

 

 

 

 

 

 

 

 

 

 

 

Here is the class with their version in progress.

 

Rex Beanland, Swinton Workshop, 2018

The Class With Jasper Ave (in progress)

 

 

 

 

 

 

 

 

 

 

It’s always so inspiring when the participants discover that they can create bold, vibrant and colourful paintings.

Two people sent me their finished paintings.  Great work.

Rex Beanland, Swinton Workshop 2018

Chris’s Jasper

 

 

 

 

 

 

 

 

 

 

Rex Beanland, Swinton Workshop 2018

Tamara’s Jasper

 

 

 

 

 

 

 

 

 

 

Rex Beanland, Swinton Workshop 2018

Bill’s Jasper Ave

How Bold Can You Go With Watercolour

I just love this photo.  One participant, Robyn, really pushed the limits of watercolour.  

Rex Beanland, Swinton Workshop, 2018

Thick paint!

 

 

 

 

 

 

 

 

 

 

What a great way to spend a weekend with this wonderful group of enthusiastic watercolourists!

Comments

I was also very moved by a couple of the comments that were emailed to me after the workshop.

Thank you Rex for an incredibly informative weekend.  I’ve taken numerous workshops and never have I felt more fulfilled afterward.  Your professionalism, humour and grace are something I will never forget. I will be watching for the next available opportunity to paint with you again. Please do add me to your mailing list.
With Gratitude

Hi Rex
I really enjoyed your workshop. Talk about learning a lot of techniques in a short time! I’ll keep an eye out for future workshops…

Anyway, my finished painting follows. Much to learn, but much that I can use with my own sketches immediately. Thanks again…

Lethbridge Workshop

I had the great experience of teaching a workshop in Lethbridge, Sept 20 – 23 for the Lethbridge Artist Club.  I thoroughly enjoy working with artists who are enthusiastic and want to learn more about watercolour such as the people I met in Lethbridge.

In this workshop we had the mix I enjoy: some people brand new to watercolour painting along with some very experienced painters.

The Benefit Of Using Little Lessons & Practices 

I am, by now, completely convinced that participants get the most out of a workshop when we take the time to study and practice the little skills by themselves. When we do this it allows the people to focus on one little thing at a time in a stress free, fun manner. Secondly when we come to do the full demo painting everyone has already practiced all the elements that they will meet in the painting.  I have always used lessons on how to paint figures and how to draw and paint cars.   I’m in the process of developing a new lesson on painting a crowd, in particular a crowd  on a piazza.  Here are the participants with their work.

Rex Beanland, Lethbridge Workshop

People practice 1

Rex Beanland, Lethbridge Workshop

People practice 2

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I’m still working out the kinks in this activity but here are my examples.  I love them and I feel that there is a very valuable lesson contained in this subject.  This first one is the one I did at home before the workshop.

Rex Beanland, Crowd Practice 1, watercolour, 5 x 13

Crowd Practice 1

 

 

 

 

 

 

 

 

This is the demo I did in class.

Rex Beanland, Crowd Demo, watercolour, 8 x 12

Crowd Demo

 

 

 

 

 

 

 

 

 

And finally, this is one I did back at the hotel after class just for fun.

Rex Beanland, Crowd Practice, watercolour, 6 x 13

Crowd Example 3

 

 

 

 

 

 

 

 

 

I think that this subject is worthy of a full sized studio painting.

My Full Demo Painting

I chose the Jasper Ave painting for my demo. It’s a great choice because it teaches some very valuable lessons about colour and value.  It also has a very nice arrangement of cars and people.  I like a painting to tell a story and for me the story of this painting is ‘into the mystery

Here is my demo as it was at the end of the workshop.

Rex Beanland, Mr Cool Surveys The Avenue, watercolour, 15 x 20

Demo at the end of the workshop

 

 

 

 

 

 

 

 

 

 

 

Here are the student examples.  They are all works in progress.  What really pleases me is how everyone is able to achieve bold, colourful washes.  Many watercolourists struggle for many years to achieve results like this.  It’s always enjoyable hearing the oohs and ahhs when people first see how boldly the colours are applied particularly the alizarin crimson.

Rex Beanland, Lethbridge Workshop

Student Paintings (Works In Progress)

 

 

 

 

 

 

 

 

 

 

 

Here is the demo as I finished it at home.  I named it for the figure in sunglasses.

Rex Beanland, Mr Cool Surveys The Avenue, watercolour, 15 x 20

Mr Cool Surveys The Avenue

 

 

 

 

 

 

 

 

 

 

 

 

This was my first time in Lethbridge and the weekend was a whole lot of fun.  Thanks to everyone for their participation.

Rex Beanland, Lethbridge Workshop

A Great Bunch

 

 

 

 

 

 

 

 

 

 

A Little Something Extra

I was very grateful to have just received this feedback.

“Thank you so much for our best class ever!”

Workshop In Gibsons Landing

Long live the Beachcombers!

Rex Beanland, Gibsons Workshop

The Persephone

 

 

 

 

 

 

 

 

(Before I begin I must say that there were so many aspects to this workshop.  There was the workshop but also the fabulous location.  Therefore I have actually created 2 posts.  This one below covers the workshop.  This second one is about the experience of being in Gibson’s and some unique experiences we had there.)

First . . . the workshop . . .

Watching that iconic Canadian TV show was my introduction to the spectacular landscape of the Sunshine Coast of BC.  I fell in love with it and it has called to me ever since so I was thrilled to be asked to teach a workshop there this August.

I had such high expectations of what Gibsons would be like and I’m happy to say that they were exceeded. 

First of all it was my first 5 day workshop. I must admit that I wondered how that would work out.  (Hint:  it worked out beautifully).

It began with a meet the artist evening at Phyllis’s beautiful home.

Rex Beanland, Gibsons Workshop

Official meet the artist evening

 

 

 

 

 

 

 

 

I was thrilled that the workshop was full with a waiting list.  There were 15 participants.

Rex Beanland, Gibsons Workshop

Students in action 2

 

 

 

 

 

 

 

 

Rex Beanland, Gibsons Workshop

Students and projector

 

 

 

 

 

 

 

 

 

 

They were a wonderful group to work with – enthusiastic, friendly and so positive.  On the first day we were in many ways like a group of individuals.  By the end of the workshop we were a real group, supporting and encouraging each other.  They also laughed at nearly all my jokes.

I was inspired by how much we were able to achieve.  

Rex Beanland, Gibsons Workshop

People Wall

 

Rex Beanland, Gibsons Workshop

Car Wall

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rex Beanland, Gibsons Workshop

Wall Of Fame

 

 

 

 

 

 

 

 

 

 

 

My experiences at this and other workshops completely confirms my belief that you achieve maximum learning by breaking the big goal (a full painting) into little, easy-to-master steps.  Then  it’s easy to master each skill separately in a stress free way.  Then when we come to do the full paintings we have already practiced all the skills.  I have devised little lessons and practices on  people, cars, value and watercolour washes.

The Demos

I often use the same paintings at  different workshops.  I choose paintings that have a lot of teaching points so the  participants can get the most out of the workshop.  I also choose paintings that have something special in terms of colour, composition or value.

Here is my first demo of Kensington Market. This is the painting that most closely follows a traditional urban landscape method.  It’s also a chance to play with some bright colours.

Rex Beanland, Kensington Market, watercolour, 15 x 20

Kensington Market

 

 

 

 

 

 

 

 

 

 

 

 

Next was Jasper Ave which illustrates how to dramatically simplify the subject and to completely change the colour and mood.

Rex Beanland, Jasper Ave, watercolour, 15 x 20

Jasper Ave

 

 

 

 

 

 

 

 

 

 

 

These two photos show the students early stages of the Jasper Ave painting.  It’s really quite something to have such success with bright, vibrant and bold colour.  It’s very common for watercolourists to struggle with these concepts.  No one at this workshop  struggled with them.

Rex Beanland, Gibsons Workshop

Student Jasper Ave 1

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Rex Beanland, Gibsons Workshop

Student Jasper Ave 2

 

My Official Assistant

By an incredible stroke of luck Susan was able to participate in the workshop as my official assistant.  Of course she became much more than that.  She helped people with their paintings and generally made everyone feel glad to be there. She also organized a final day luncheon and had us all sharing our experiences from the week.

She also had the chance to do her own paintings.

Rex Beanland, Gibsons Workshop

Susan’s Kensington

 

 

 

 

 

 

 

 

 

Rex Beanland, Gibsons Workshop

Susan’s Jasper Ave

 

 

 

 

 

 

 

 

 

The Third Demo

We completed 2 paintings  but did not have enough time to finish the third one – a really neat perspective on Winnipeg.  I said I would post the various stages as I finished my painting at home.

Rex Beanland, Winnipeg From The 32nd Floor, watercolour, 15 x 20

Winnipeg at the end of the workshop

 

 

 

 

 

 

 

 

 

 

I felt the background was too much cobalt blue and also didn’t connect with the centre of interest.  So I added a couple more washes to make the blues more neutral and to add more orange and red.

Rex Beanland, Winnipeg From The 32nd Floor, watercolour, 15 x 20

Change the background

 

 

 

 

 

 

 

 

 

 

Next I removed the masking and began adding detail.

Rex Beanland, Winnipeg From The 32nd Floor, watercolour, 15 x 20

Begin the detail

 

 

 

 

 

 

 

 

 

The finished version.

Rex Beanland, Winnipeg From The 32nd Floor, watercolour, 15 x 20

Winnipeg From The 32nd Floor

 

 

 

 

 

 

 

 

 

 

 

One student finished her version of this painting and sent me a copy.

 

Rex Beanland, Gibsons Workshop

Corinne’s Winnipeg

 

 

 

 

 

 

 

 

 

 

I was humbled by some of the feedback I received especially where it concerned the way I structure and teach a workshop. One lady said of all the many, workshops she had taken this was the first time she had actually received instruction. That moved me.

It was a wonderful group, a powerful experience and a fabulous location.

Here are the people who made the week so special.

Rex Beanland, Gibsons Workshop

Class Photo

 

 

 

 

 

 

 

 

 

 

Many thanks to everyone for a wonderful week!

And Besides The Gibson’s Workshop . . .

This is the second part of our experience at the Gibson’s workshop.  This one covers everything besides the workshop.  The post about the workshop is available here.

Some Scenes From  Gibson’s Landing

Rex Beanland, Gibson's Landing, BC

 

 

 

 

 

 

 

 

Rex Beanland, Gibson's Landing, BC

 

 

 

 

 

 

 

Rex Beanland, Gibson's Landing, BC

 

 

 

 

 

 

 

 

 

Rex Beanland, Gibson's Landing, BC

Rex Beanland, Gibson's Landing, BC

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

A Special Event

While we were in Gibsons they were filming a Hallmark Movie called “Carousel Christmas’.  The movie will be on the Hallmark channel probably by Christmas.

It was amazing as they transformed Gibson’s in the summer into a winter scene.  Here are some shots of the filming. When went down to the dock after the workshop to get these shots the temperature was 34 degrees C.  The extras were dressed in sweaters, coats and scarves.  By the magic of movies when people see the movie in December it will appear to be like winter instead of a sweltering summer day.

Rex Beanland, Gibsons Workshop

Extras in 34 degrees C

 

 

 

 

 

 

 

 

 

 

 

They brought in truck loads of chipped ice. Working with this might have been the best job on this day.

Rex Beanland, Gibsons Workshop

Snow Truck

 

 

 

 

 

 

 

 

 

They made the dock look like it was covered in snow but they had to replace it frequently because it was so hot.  You see from this photo that life went on right  around the filming.  People still walked up and down the dock and at various times there were quite a few people hanging over the railing to watch the show.

Rex Beanland, Gibsons Workshop

Extras and snow

 

 

 

 

 

 

 

 

 

 

 

Filming a night scene.

Rex Beanland, Gibsons Workshop

Shooting movie at night

 

 

 

 

 

 

 

 

 

 

We got talking to one of the crew and we hit it off so he took us down the stairs to the set.  We were just a few feet away from the action as the 2 lead actors hit their marks.  We would be just behind the camera that you see at the bottom.  Our new friend  got us through security by saying we were his aunt and uncle.  What an experience!!!

Rex Beanland, Gibsons Workshop

Filming at night

 

 

 

 

 

 

 

 

 

Because of Susan and my work with video for many years we are very interested in the movie making process.  So when we left the shoot the only comment I could make is, “This is unbelieveable!” 

A New Painting Done In Gibson’s

Just to finish this post off.  I also completed one painting just for my own enjoyment, a scene from the harbour.

Rex Beanland, All Quiet In Gibson's Harbour, watercolour, 14 x 18

All Quiet In Gibson’s Harbour

 

 

 

 

 

 

 

 

 

 

 

So not only was the workshop an unforgettable experience there were all these other things that were so special.  

I’m using the word a ‘magical‘ to describe our experience in Gibson’s and I think it’s the right word.